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The discombobulating outfit was, in fact, the opening look of Vivienne Westwood’s Fall-Winter 2024 show in Paris — a collection that has proved divisive online. “Vivienne Westwood will be turning in her grave watching Sam Smith in this get up,” wrote one disgruntled fan on X. While many online lamented how Kronthaler’s latest season has “defiled” and “tainted” Westwood’s fashion reputation. The 1990s era of Vivienne Westwood was defined by shape and silhouette, as demonstrated here with Linda Evangelista walking the Fall-Winter 1995 show in Paris. Kronthaler's first solo show for Vivienne Westwood at Paris Fashion Week felt more aligned with the brand's popular 90s silhouettes.
Persons: Sam Smith, trudging, fanny, Mel Gibson’s, Vivienne Westwood’s, Andreas Kronthaler, , Pascal Le Segretain, Vivienne Westwood, Alexander McQueen, John Galliano, Gen, , Linda Evangelista, PL, Kronthaler, Kate Moss, , Vivienne Westwood's, Giovanni Giannoni, Bella Hadid, Kronthaler's Organizations: CNN, Westwood, PL Gould, Vogue, Penske Media, Paris Fashion, Financial Times Locations: Paris, Sharpie
The subject of a Jesus movie is technically Jesus. Mel Gibson’s “The Passion of the Christ” paints a heavily Catholic, heavily bloody image of a suffering hero. “The Jesus Film,” produced for evangelistic purposes, takes its text entirely from the biblical account, attempting to render a literalist version of a savior. “The Book of Clarence” is something entirely different than these and dozens of other renderings. As with that series, “The Book of Clarence” is a highly ambitious attempt at relatability, with an added reverence for the old-school “Ben-Hur”-era Hollywood biblical epics.
Persons: Jesus —, , Mel Gibson’s, Franco Zeffirelli’s “ Jesus of Nazareth ”, , , William Wyler’s “ Ben, Hur, Jesus, Clarence ”, you’ve, “ Ben, Jeymes Samuel Organizations: Angel Studios, CW
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